Ears Love Music Ahimsa : Seven Steps To Liberty, step one (IND/D,rec.1999,re.2008)****'

This is a remarkable band with two talented German guitarists (acoustic guitar mostly and 6-string bass), two South-Indian percussionist (South Indian tabla and clay pot mostly) and one South-Indian electrified violin player. Very often they play with Indian traditional inspiration (of melody/rhythm), but this is enriched with western standards and a bit of jazz. The title track for instance combines Indian standards with jazzy flavours, with powerful Indian percussion (clay pot, tabla) and at a certain point painstaking fast Indian typed acoustic guitar, where at some point I recognise some Bach-alike mathematical series of notes which is adapted by the electrified violin, making an almost symphonic part before ending with an Indian typed highlighting conclusion. I also heard the use of jew’s harp on “Hillary”, again a track with percussive brilliance leading the melodic lines (guitar and violin). On “Dune” the bass player contributes with more leadership. Also worth to mention besides skilful comparable ideas of mixed Indian Fusion with a bit of jazz flavours, is “Chennai” which then sounds like a rock music theme transformed into Indian modes. This is already a recording of 9 years ago which now finally sees an official release.

Audio & info : www.myspace.com/ahimsaworldmusic
Homepage : http://ahimsamusic.com/
Band intro : http://www.cross-culture-music.de/english/start_ahimsa.php
Info on first album with audio : http://www.urbroetchen.de/aum-pages/ahimsa/index.html

About what is 'Ahimsa': http://www.fas.harvard.edu/~pluralsm/affiliates/jainism/ahimsa/ahimsacr.htm
INDIAN FUSION
presents
Ahimsa

CD (1999->2008), CD (2003->2006)

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Acoustic Music Rec. Ahimsa : What Is The Nature Of Spirit ? (IND/D,rec.2003,re.2006)****

No information whatsoever could be found on the label’s page. Funny to hear is the starting melody with an adaptation of some known tune on “a fistful of..” (by ??), then bluesy guitar with Indian elements. Also added is a small portion of (western styled) drumming to the Indian percussion (also on the second track in equal bits). The bass plays here with funky touches, and the guitar adapts rock elements into the track. Violin improvises on top, with fast tabla. Then there appears a dialogue between tabla/violin on one side and percussion/guitar on the other. This track sets the tone for more inventive fast rhythmic-melodic breaks and improvisations on “Zappalahari” (what’s in a title??). “Ella..for Namalie” is a quieter acoustic guitars/violin led track (not forgetting the rhythmic foundation of all that happens, a bit more freely, emotionally). The violin parts are more colouring-orchestrating here at times. Between more Indian flavoured tunes, often with jazz touches, “Facing Vast Land” is a different composition by the bass player, at first with guitars only and without percussion. I also need to mention “Samiha’s Dream” which has some really strange, surreal parts. It adapted odd versions of flamenco, improvised free(!) parts but then returns as if getting awake its Indo-fusion melodies.

Audio & info : www.myspace.com/ahimsaworldmusic
Solo homepage tabla player : http://www.mazumdar-udai.com/ & violinist : http://www.myspace.com/radhakrishnas
Homepage : http://ahimsamusic.com/
Other review : http://www.folkworld.de/32/e/cds6.html#ahi
Sufi Concert in New Dehli